Rating:
Amending Fences plays as either the second part or flipside
to Slice Of Life, but yet explores completely different ground despite starting
from a similar spot. Instead of
fan-derived background characters, M.A. Larson based his script on one
throwaway moment which occurs two minutes into the pilot. These ponies had lines and some personality,
but were then completely forgotten.
Twilight brushed past them and their party invitation before investigating
her suspicions regarding the “Mare in the Moon” prophecy, and she was
subsequently sent to Ponyville for good.
While Amending Fences’ story may feel familiar, Larson again took bold
risks by strongly adhering to continuity and eschewing any sort of
“interesting” plot. But focusing on
character interactions is never anything less than compelling. Those three ponies who confronted Twilight
(Minuette, Twinkleshine, Lemon Hearts) were barely moved and seem happy having
some tenuous celebrity connection. The
mentioned but previously unseen Moondancer behaves quite differently though. Without actual time travel, Larson uses her
to show an alternate universe where Twilight never made friends. Moondancer’s design and other similarities
are therefore quite intentional. But she
also might be a shy introvert who got hurt and then retreated into herself. Larson doesn’t have time for developing every
new character, but Minuette and Moondancer are more well-defined than certain
recurring ones. He also touches on
celebrity culture and (possible) autism while clearing up loose threads
literally no one cared about. This
decision makes Equestria seem like a real world with consequences rather than
an episodic TV show which always starts and ends in the same place. Like its sister episode Slice Of Life,
Amending Fences feels very different from “normal” My Little Pony outings, but Larson correctly realized that this
show was well-suited for such material. By
using continuity to explore human themes and showing more “background”
characters who deserve being seen again, Amending Fences stands as yet another
testament to Larson’s superiority of craft.
Twilight tries relaxing with a book after the previous few shows,
but we all know that won’t last long.
Spike’s offhand comment about the irony of Twilight now being a
friendship expert makes her remember ignoring other ponies while living in
Canterlot. As a princess and
professional worrywart, she decides upon fixing this problem immediately. Well, once Spike looks up her old Canterlot
friends’ names, since she’s forgotten them after so many years (this part isn’t
a joke or meant to show Twilight being out of touch. While forgetting faces probably won’t happen,
names will disappear if you don’t think about them).
Since she no longer needs train tickets, Twilight arrives
with Spike that very night. She visits
her old tower study, and discovers literally nothing has changed. This isn’t very likely, but notice how Larson
strictly follows canon. After Twilight’s
initial ride to Ponyville, her original place was not seen or mentioned at all. Although most series operate on significant
suspension of disbelief, it’s surprising yet delightful that Larson
demonstrates what would really happen given My
Little Pony’s events. Spike quickly
finds his damaged present for Moondancer (including “the rest of it”, which is
an acceptable retcon despite lacking realism), and Twilight vows to fix her
broken friendships with…“them”.
First up is Minuette, who Twilight figures must feel awful
after being abandoned. Clearly she has
forgotten much, because Minuette doesn’t distress over anything. While slightly suspicious of the princess’
unannounced visit, Minuette is stoked and even wants her picture taken with
Twilight. Before their interaction becomes
too awkward, Minuette suggests they meet Lemon Hearts and Twinkleshine for
donuts.
While Spike catches up with Donut Joe, Twilight attempts the
same with her old friends. But
awkwardness unquestionably pervades this meal, because they haven’t seen each
other in a while and probably weren’t originally all that close. Twilight finally digs deep and apologizes for
her conduct, since she did brush them off and leave without saying
goodbye. They only laugh in response
though, as Minuette and company expected such behavior from Twilight. Rather than let this ruin their encounter,
they continue reminiscing.
Visiting their school’s science lab starts things off, which
prompts memories of that one time Lemon Hearts got her head stuck in a beaker
(it clearly isn’t physically possible, but watch how Lemon Hearts doesn’t share
her friends’ laughter). Twilight
remembers her version instead, as she argues with Moondancer about something
they both read. Minuette vaguely recalls
where Moondancer lives now, although they likewise haven’t seen her
lately. Another trip to a dilapidated
cottage reveals their “other” friend, but Moondancer only groans and slams the
door on them.
Minuette again laughs this off since she’s familiar with
Moondancer’s antics. She joins Twilight
and Spike as they watch Moondancer’s daily routine, which only consists of
trips between her home and the library.
Upon being asked, Minuette offers that Moondancer always used to be shy,
but started opening up around the time of her party. In case you’ve also forgotten, we get a
shortened flashback of the very pilot scene which forms Amending Fences’
basis. Twilight looks horrified as she
realizes her casual brush-off literally defined Moondancer’s social life. Clearly now on a quest, Twilight vows to put
right what once went wrong.
Unfortunately, her plan involves harassing Moondancer inside
the library and hoping she’ll become friendly again. A few too many shushes obscure how terribly
this goes. After much annoyance,
Twilight finally piques Moondancer’s interest by appearing in one of her books. Despite a shocked scream and refusing more
friendship overtures, Moondancer has to know how Twilight did that. The author responsible (Haycart, which makes
two pony puns in one name) happens to be a favorite of both, so Moondancer
returns with Twilight to her study.
Once there though, Moondancer finds a book she gave Twilight
near some spider webs. At least the
princess returns this forgotten favor by giving Moondancer her study keys, but
socializing at one dinner asks too much in return. Quoting Celestia’s words doesn’t change Moondancer’s
mind either, but a free Haycart’s method lesson proves to be her price.
Securing Moondancer’s attendance means dinner is even more
awkward than earlier. Minuette tries
including everyone, but they all feel uncomfortable and only blurt out short
answers. One subsequent pause finds a
fed up Moondancer completely leaving the building. She reiterates her stance on friendship to
Twilight, who then imagines what must have happened that fateful day. Naturally a hopeful Moondancer becomes very
disappointed upon learning Twilight won’t be coming despite her other friends
being there (such flashbacks are usually considered truthful, but Twilight’s
unimaginative vision is clearly only her idea and not necessarily accurate,
since she has no idea what actually happened).
Trying another plan, Twilight recruits Pinkie Pie from Ponyville
for throwing a more spectacular make-up party which everyone will attend. Inviting Moondancer is out of course, so
Twilight chooses an alternative method.
Using the old “bread crumb trail” trope (which she also did in Luna
Eclipsed), Twilight (delightfully) lines the path to her party with nerdy books
only Moondancer would appreciate.
She is in no mood for partying, though. Finally letting her anger out, Moondancer
announces how shitty Twilight’s behavior really was, and that this one time of
putting herself out there left her totally humiliated. While such an explosion isn’t original,
Moondancer’s choice of words describes exactly what the real problem is, which
makes the scene extremely effective.
Twilight consoles her bawling friend by bringing in a few other ponies
she knows and admitting that hurting Moondancer ranks as one of her worst ever
feelings. This contrition finally perks
Moondancer up, and she starts a rather successful party after tearfully
embracing Twilight. Spike offers
Moondancer that “other” part of his gift, which is a seemingly unimportant
picture of her various friends (including Twilight) enjoying cupcakes
together. We’ll never know how the teddy
bear would have gone over, but this photo soon hangs prominently on Moondancer’s
wall.
Twilight brings her years of experience to Amending Fences’
“quest”, which has both positive and negative effects. She treats restoring her old friendships like
saving the world, despite these ponies being more complex than a good vs. evil
problem. This finds Twilight needlessly
apologizing and forcing encounters with Moondancer, although she also doesn’t
give up when everything goes poorly. As
someone who’s still not that outgoing, Twilight can’t quite explain to
Moondancer how friends will enrich her life.
Quoting Celestia instead of blandly stating her opinion is actually far
more realistic and effective in demonstrating what Twilight has become from her
various adventures.
Of Twilight’s old friends, only Minuette stands out at first
with a positive personality very different from Pinkie Pie’s. No matter what happens, she can spin
everything into acceptance. Minuette
truly bears no ill feelings toward Twilight about being abandoned without
explanation, and takes Moondancer’s brusque behavior as part of who she
is. Minuette also tries having a good
time at their dinner even when that probably isn’t possible. This could all come off as fake, but actually
appears to be how she sees the world.
Larson hints at more depth though since Minuette’s reaction to
Twilight’s appearance suggests she worries about being in trouble for
something. Unfortunately, Lemon Hearts
and Twinkleshine aren’t given nearly so much development, but having Lemon
Hearts work as a Canterlot event planner shows deeper character traits which
could be explored later.
While previously unseen in the pilot, Moondancer takes over
Amending Fences’ focus once she appears.
To underscore their similarity, Moondancer is a recolor of Twilight with
tacked on “nerdy” taped glasses. Larson might
have called for this in his script, but he no doubt wanted to explore what
Twilight’s life would have been like without friends. Despite the distracting visual appearance,
Moondancer establishes her uniqueness fairly quickly, and being bound to
Twilight wasn’t necessary.
My Little Pony’s
portraits of introverts have been suspiciously good, and Moondancer definitely
continues that trend. As is typical of them,
she is generally uncomfortable talking to other ponies, but even the slightest
hiccup serves as strong negative reinforcement.
Moondancer also has self-esteem issues, which possibly stem from her
love of books or just being shy. One
such failure regarding Twilight’s sudden disappearance pushed Moondancer almost
irrevocably inside. Without friends, she
only appears obsessed with her own little interests that have little chance of
going anywhere. Moondancer studies to
keep herself busy from thinking about the dead end life she now inhabits. Listing off many subjects at dinner only to respond
clumsily that she isn’t planning on teaching (or apparently much else)
indicates this. While not really
resembling Twilight here, it’s still possible that our princess could have
ended up in a similar quagmire if one or two things went differently.
But another subtle change saves the ending, which could have
easily come off as another “cure” for introversion. Moondancer isn’t becoming someone else or
conforming to an accepted way of life.
She’s rediscovering something that was always inside of her. All of her “new” friends are ponies she knew
from school, family, or her current daily life.
This may not count as “a lot” to most people, but it’s more than she
thinks. Moondancer clearly wanted
friends before, and enjoying time with them now can only enrich her life. Creating such a character from one throwaway
line is marvelously well done, and hopefully Moondancer will return as promised.
Producing Amending Fences from a scene that was only meant to
depict Twilight ignoring social interactions counts as an accomplishment by
itself, but Larson fits in every small continuity detail perfectly. You didn't remember Lyra as part of that
group of friends? Twilight rushes past
her (as she waves) mere seconds after leaving the party invitation. Maybe Minuette admitting they’re always
visiting Lyra in Ponyville or vice versa is too obvious, but at least Larson
offers some explanation for background ponies appearing everywhere. This continues when Pinkie Pie recognizes
Minuette from Cadance’s wedding and elsewhere, since they really couldn’t not
be friends. Shoutouts must also be made
to Spike grabbing his usual seat at Joe’s, and a certain pony from season
five’s premiere ominously appearing at dinner.
While helped by the animators here, this is Larson’s second straight effort
which shows intelligence by paying attention to continuity rather than ignoring
it in favor of retconning and resetting.
Slice Of Life teased viewers by demonstrating an episode
featuring background ponies could be quite good, but Amending Fences builds off
of it by doing just that. Larson took one
forgotten scene and created characters who are every bit as strong as any seen
before. But in doing so, he tackled a
friendship problem most people will actually face. Whether from leaving school or work, or by moving
away, you will find yourself losing contact with friends at some point. Encountering these people again may be
awkward, but that doesn’t mean you can’t rediscover why your friendships
started. No doubt Amending Fences is
more of a slice of life than the actual episode in that respect, but this style
fits My Little Pony surprisingly
well.
Larson took many risks in even doing this show, but they
again pay off in another well-structured and enjoyable outing. Even if act two wavers slihgtly, Larson
redeems himself with Moondancer’s outburst and the almost magical closing
minutes. No, Amending Fences isn’t
perfect throughout, but it overall matches Slice Of Life in terms of quality
and enjoyability. Despite an
unconventional feel, the episode deserves recognition for its accomplishments
and staying true to My Little Pony’s
original intentions, even if most of the mane six are elsewhere. Larson again proves he is at the top of his
creative game, and we can only enjoy wherever this ride might take us.
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