Rating:
Echoing one thread from The Cutie Map, Bloom And Gloom
explores more possible dissatisfaction with cutie marks. This time, the Crusaders’ perspective is
considered, and more specifically Apple Bloom.
After season four’s “realism”, Josh Haber’s fifth season debut is
purposely anything but. His script is
structured as a number of obvious dreams that deconstruct Apple Bloom’s various
fears regarding her potentially appearing mark.
No importance is made about when Apple Bloom wakes up or hiding that
fact from the audience, which allows Haber to solely focus on his theme. Babs Seed’s letter describing her recently
acquired cutie mark inspires fear in the Crusaders, who wonder if she should
even be allowed in their group anymore.
Then Apple Bloom’s following slumber turns into a nightmare she may
never wake up from. As it deals with
dreams, Bloom And Gloom eventually becomes the third in an unexpected trilogy
featuring Princess Luna. But her majesty
mostly stays out of the way while letting Apple Bloom and company discover
their own lessons. Similarly starting every
nightmare leads to a recursion feel, as Apple Bloom learns something each
time. This allows her fears to be
explored while providing partial plot progression. Bloom And Gloom’s simple message is still
important. Cutie marks represent an
expression of who you are, and hiding from one means running away from
yourself. This naturally could mean many
different things, but getting stuck with a job you hate legitimately concerns most
people who work. Even if not
spectacularly deep or completely original, Bloom And Gloom is a surprisingly
strong and engaging effort that doesn’t rely on its gimmick for impact. Humanizing the Crusaders doesn’t happen often
enough, but their potentially goofy struggles rarely hit home this much. Maximizing a premise doesn’t either, and
Haber’s deft handling of issues probably wouldn’t have been matched by most
writers. His touch makes Bloom And Gloom
better than it probably had a right to be.